H2O – Past and Future is an internal production just for the fun of it. Lean back and enjoy !!!
In 1986, the synth skies were studded with digital technology. That’s why the original AX73, with its proudly all-analog signal path ended up flying under the radar. Martinic has taken what was great about the original AX73 and elevated it into a powerful, flexible software instrument that fits right into the modern producer’s lineup of go-to synths. With four analog oscillators across two synth layers, unique modulation features, extended performance options, and an eight-module effects section, this plugin AX73 (VST/AU) unleashes the full power of the original hardware and more – no menu diving required, and all perfectly modeled through our Advanced Circuitry Emulation technology. And, it includes a generous lineup of 600+ inspiring presets to get you started right away.
Following the award-winning success of the PCM Native Reverb Bundle, Lexicon introduces a complete collection of the finest effects plug-ins available. The PCM Native Effects Bundle is the ultimate studio plug-in package for creating professional, inspirational mixes within popular DAWs such as Pro Tools®, Logic®, Nuendo® or any other RTAS®, AudioUnit™, or VST® compatible host. With all the flexibility you would expect from native plug-ins, this powerhouse bundle delivers 7 Lexicon effect plug-ins — and with decades of legacy products to pull from — the PCM Native Effects Bundle includes the finest collection of Factory Presets available. Designed to bring the highest level of sonic quality and function to all of your audio applications, the PCM Native Effects Bundle will take center stage in your DAW.
When I first heard the Proteus/1 I was blown away by its internal demo song. The strings sounded so real to me, one could hear the rosin on the bow and the friction of it on the strings of the violins. One of the peculiar things about the Proteus is the fact that many patches seem to emulate Roland D-50 patches, but not Korg M1 patches.. Both instruments were the instruments “to beat” at the time. I wonder why the programmers only focused on the D-50 and didn’t give the M1 sounds a shot.
The EX7 features a unique Extended Synthesis system which incorporates a number of the most advanced tone generator technologies currently available…plus a full-featured sampling system. It offers a Four-Element Voice structure which allows for up to four independent waves from any of the tone generators. The tone generators implemented here include AWM (Advanced Wave Memory) Synthesis, AN (Analog Physical Modeling) Synthesis and FDSP (Formulated Digital Sound Processing) Synthesis. According to Yamaha: “AWM is Yamaha’s original system for effectively using sampled waveforms in synthesizers and tone generators. The strength of AWM synthesis lies not only in its extraordinary ability to “shape” and control the sound of the samples with a comprehensive system of envelope generators, filters, key scaling parameters, modulation, and more. AWM voices can have from 1 to 4 AWM elements. Each AWM element can use a preset wave or a sampled waveform. The ability to combine AWM elements means that you can, for example, combine separate samples for the attack and sustain portions of an instrument’s sound, with independent control over each.
The Audity 2000 takes its name from the classic and one-and-only Audity, but that’s about it. Although, the Audity 2000 has the same synthesis architecture as the Proteus, and the Proteus’s synth chips were designed with the original Audity in mind. The Audity 2000 is a digital synth with an unprecedented 16 simultaneous arpeggiators. That’s great for trance and techno! With an emphasis on electronic groove music, the Audity 2000 offers up many dance type sounds but with an uncomfortable digital “tinny” overtone. Its 12-pole digital resonant filter is nice…but it’s no Moog.
DJ Style 16/24-bit Wav File Player/Recorder
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