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  • Voxengo TransGainer 1.6 AU VST VST3 MAC OSX
    April 2nd, 2014 ⚡
    Categories: AU, UB, Voxengo, VST, VST3

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    Voxengo TransGainer 1.6 AU VST VST3 MAC OSX

    Team Cook | AiR-KyGn | 124.1 MB

    TransGainer, an audio plug-in suitable for a wide range of professional music production uses, implements an audio signal envelope adjustment algorithm that reacts on transients rather than on a signal’s loudness level. This algorithm allows you to adjust volume of attack and sustain stages of any sounds you use it on. TransGainer was designed in a way to be suitable for all possible sound sources – be it individual tracks or full mixes. In many cases TransGainer can be used in place of gate and expander plug-ins while delivering a better sound and offering an easier control. Beside that, TransGainer can be used for audio recording restoration/re-mastering purposes and reverb tail modifications with excellent results.



    Viewed 6262 By Music Producers.


    • PSP Neon HR v2.0.4 AU VST RTAS MAC OSX-Cook
      March 24th, 2014 ⚡
      Categories: AU, macOS, PSP AudioWare, RTAS, UB, VST

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      PSP Neon HR v2.0.4 AU VST RTAS MAC OSX

      Team Cook | March, 24 – 2014 |  7.67 MB

      PSP Neon is a fully featured linear phase equalizer plug-in (VST, RTAS and AAX for Windows and AudioUnit, VST, RTAS and AAX for OSX) that offers eight bands of equalization, each of which can be assigned one of seven filter types. PSP Neon uses frequency-domain fast convolution based linear phase algorithms for the best balance between CPU efficiency and phase accuracy. For those who want to use the excellent analog-modeled PSP Neon filters in even more CPU critical applications, you can even toggle off the linear phase mode and take advantage of PSP Neon’s minimum phase error Infinite Impulse Response (IIR) mode!



      Viewed 9098 By Music Producers.

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      • SoundQuest MidiQuest XL v10.0.5 MAC OSX UB-ArCADE
        February 12th, 2014 ⚡
        Categories: macOS, UB

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        SoundQuest MidiQuest XL v10.0.5 MAC OSX UB

        TEAM ArCADE | 30.10.2010 | 62.55 MB

        Software synths and effects have some great advantages. They work right inside your sequencer; you can easily store and access all of your sounds on the computer; and if you want, you can automate changes to your sounds while your sequence plays. All you have to do is twist the knobs of your soft-synth to record the changes. With Midi Quest 10 XL, all of those great features that you have for your soft-synths are now available for your hardware synths and effects. Imagine being able to integrate all of your MIDI hardware into your digital audio sequencer and using it the same way you use your soft-synths. With Midi Quest XL, you can.



        Viewed 13246 By Music Producers.

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        • Vielklang v1.5.2 VSTi RTAS WiN MAC-DOA
          January 15th, 2014 ⚡
          Categories: AU, macOS, RTAS, UB, VSTi, WiNDOWS, Zplane VSTi

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          Vielklang v1.5.2 VSTi RTAS WiN MAC-DOA

          Team DOA | 19-07-2009 | 11.2 MB

          Harmonize your melody with one single click – loading a single-voiced audio file – and create natural-sounding background choirs and brass arrangements!
          vielklang “thinks musically” and prepares intelligent voicings. vielklang Instant Hamrony by zplane is packed with musical intelligence and music theory: it automatically detects the best fitting harmonies for each individual input melody, and automatically synthesizes up to four voices with the voices not merely running in parallel but with their voicings automatically selected to sound most natural (voice leading). vielklang gives you a natural-sounding result immediately and allows you to concentrate on tweaking the results rather than edit them from scratch as with traditional harmonizers.



          Viewed 9657 By Music Producers.

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          • Audio Damage Replicant VST AU UB v1.02 PC v1.04 MAC
            September 20th, 2013 ⚡
            Categories: AU, Audio Damage, macOS, UB, VST, WiNDOWS

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            Audio Damage Replicant VST AU UB PC MAC

            Team AiR-DYNAMiCS | 2007 | PC: 1.30 | MAC: 3.11 MB

            Replicant is a delay-based effect in the “beat slicer/looper” vein, with some tricks of its own that separate it from the herd. From a simple delay or panning effect, on up to massive random beat mangling, Replicant is a capable plugin well in line with today’s modern electronic music styles. Stuttering buffers and filter drops are easy to program, and the comprehensive randomization features give it a mind of its own, if so desired. If you’re looking to add some chance to your programming, you’ve come to the right place.



            Viewed 13326 By Music Producers.


            • Audio Damage Liquid VST AU UB 1.0.1 MAC HAPPY NEW YEAR
              September 20th, 2013 ⚡
              Categories: AU, Audio Damage, macOS, UB, VST

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              Audio Damage Liquid VST AU UB 1.0.1 MAC

              Team PDS | 2010 | MAC OSX | AU UB  | 4.67 MB

              Liquid is an analog-style through-zero flanger. Unlike traditional flangers, which are just short delays with a bit of feedback, Liquid models the original flanging method, where two tape machines were used to create artificial double-tracking effects. The difference in sound between this type of flanger and what is commonly available is significant, and Liquid provides a much more usable effect. Perfect for “stereo-izing” monophonic signals like voice and vintage analog synths, Liquid also provides more mind-bending flanging at higher feedback settings.



              Viewed 5927 By Music Producers.


              • Audio Damage Automaton v1.0.0 WiN VST AU UB v1.0.1 MAC OSX
                September 16th, 2013 ⚡
                Categories: AU, Audio Damage, macOS, UB, VST, WiNDOWS

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                Audio Damage Automaton VST AU UB WiN MAC

                Team DYNAMiCS | 09/17/2008 | WiN:722.54 KB | MAC:2.26 MB

                Automaton is a unique look at buffer effects, allowing you to experiment with artificial life within your DAW. With four separate effects (Stutter, Modulate, Bitcrush, and Replicate) driven by a cellular automata sequencer, Automaton is capable of adding subtle seemingly random fills and “humanizing” effects, but if you like, you can crank the sequencer up to eleven, and watch as your DAW becomes a petri dish while Automaton makes complete hay of the track you’ve inserted it to.



                Viewed 17617 By Music Producers.


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